Donald Jackson spoke at The Getty in Santa Monica on Wednesday night.
I had a peek at the Klimpt exhibit – enough to make me want to get my pencils out again. The first room of graphite, charcoal and white chalk portraits were exquisite. Absolutely stunning draughtsmanship. The rest of Klimpt’s pencil line work was for sketching purpose. I had to leave as the exhibit was closing for the day, and went into the Lecture Hall.
Donald Jackson is inspiring and entertaining. He’s not much of a lecturer, he’s an illustrator and a calligrapher and an art director. Not called upon often to speak, but very charming, and fumbles to express himself sincerely. Very human.
He spoke about the St. Johns Bible. Its intention, its production, its spontaneity, its relevance. Even its owner: you who read.
This was very cool: he hand picked 4 calligraphers, not because they were the best, but because they worked well as a quartet. They yielded to one another’s strokes. “We’ll all make the g’s descender this way, and the dots this way…” Their hands (letterforms) had to look like one hand (letterform). The two other illustrators Jackson chose, besides doing many himself, because they are also seasoned calligraphers. Extremely creative. Thomas Ingmire and Suzanne Moore. (Their work – outside of the Bible – was shown in Portland, as me, back in July. I, who am no one! What an honor to hang in the same room!)
Donald Jackson speaks. http://www.youtube.com/watch?v=BK9oCX5lBLQ